|Please join us this Sunday, November 15, 2020,|
in our first ever live-streamed concert!
We will be featuring Faculty member Bridget Convey who will perform John Cage’s Sonatas and Interludes for prepared piano. Bridget has performed at Lincoln Center, the Dorothy Chandler Pavilion, Ojai Music Festival and many other venues. She regularly works with several Maine-based groups, including Venticordi and the Resinosa Ensemble, of which she is the co-founder and director. She can also be heard performing on the labels: Navona, Cuneiform, Independent and Nataraja. She holds an MFA from CIA and teaches at Bates as well as her home studio.
“…the piano shining like a star, without dictating a thing… Convey realized the part perfectly.”
– Christopher Hyde, Maine Classical Beat
“…words of praise are insufficient to acknowledge what Ms. Convey did on this program.” – Dr. Morton Gold, Journal Tribune John Cage was arguably the most influential American-born composer and music theorist of the 20th century. A student of Henry Cowell’s and pioneer of the Avant-Garde and Ultra-Modernist music movements, he embraced many alternative compositional methods, and perhaps most famously, by “preparing” the piano – which is a piano whose sound has been altered in pitch, timbre or texture by the insertion of foreign objects on or between the strings. This, in effect, turns the piano into a whole percussion orchestra but allows for standard musical notation to be utilized while creating an entirely new sonic landscape. “It dawned on me,” Cage recalled, “that screws or bolts would stay in position, and I was delighted with the sounds they produced. With just one musician, you can really do an unlimited number of things inside the piano.” “I can’t understand why people are frightened of new ideas I am frightened by the old ones.”
– John Cage
|The Live-Streamed video can be viewed here:https://www.bates.edu/music/live-concert-video/|
Students can reserve their in-person tickets here: batesconcerts.eventbrite.com